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Many cultural institutions were not prepared to protect their collections and buildings before the Russian invasion, so ad hoc groups of arts workers and leaders stepped in to fill the breach.
One of the art world’s most important events, Documenta, is at its halfway point. So far, a tiny fraction of the art has been the main topic of conversation.
An artist’s journey to establish her position in the world took her to the shooting range and produced a bold, original show.
At the Mississippi Museum of Art, Mark Bradford, Theaster Gates Jr., Carrie Mae Weems and others explore the personal legacy of the era-shaping movement from the rural South.
After a lengthy recovery, the artist comes back with the most vigorous work he’s made: “It took me a really long time to understand what had happened to me.”
Painting will not stop missiles. Music will not end suffering. But culture is not powerless — and a visit to Ukraine reaffirmed what it can do at its best.
The Met surveys Bernd and Hilla Becher, who turned Machine Age monuments into alluring collectibles.
Isaac Julien’s installation at the Barnes Foundation highlights the museum’s African sculptures even as it questions the ethics of their acquisition.
Kurian at 47 Canal.
The investigators say Georges Lotfi invited them to his storage space because he did not think they would suspect that the antiquities he kept there were stolen, an accusation he denies.